% Copyright (C) 1999 Laura E. Conrad lconrad@world.std.com % 233 Broadway, Cambridge, MA 02139, USA % % This information is free; you can redistribute it and/or modify it % under the terms of the GNU General Public License as published by % the Free Software Foundation; either version 2 of the License, or % (at your option) any later version. % This work is distributed in the hope that it will be useful, % but WITHOUT ANY WARRANTY; without even the implied warranty of % MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the % GNU General Public License for more details. % You should have received a copy of the GNU General Public License % along with this work; if not, write to the Free Software % Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA. X:1 T:XX. Tosse not my soule T:Canto. C:John Dowland H: From The Second Booke of Songs or Ayres of 2. 4. and 5. parts: H: with Tableture for the Lute or Orpherian, with the Violl de Gamba. M:C L:1/2 %%MIDI nobarlines %%MIDI ratio 3 1 K:G dor A2 B B A2 | z A d c B > B A2 | w: 1.~Tosse not my soule, O love twixt hope and feare, w: 2.~Take mee As- sur- ance to thy blis- full holde, z B G3/2 A// B// c > B | A G A > A G2 | w: Shew mee some * ground where I may firme-ly stand w: Or thou Des- * paire un- to thy dark- est Cell, z d d d d2 | z z/ d/ e f e > e d2 | w: or sure- ly fall, I care not which a- peare, w: Each hath full rest, the one in joyes en- rolde, z2 z d c/ B/ A/ G/ | ^F G A/ B/ c2 B A > A G2 w:So one will _ _ close mee _ _ in a cer- taine band, w:Th'o- ther, in _ _ that hee _ _ feares no more, is well: |:"Lenvoy:"z d _e _e d2 | d f > e d3/2 c// B// c d2 | w: When once of ill the ut- ter- most is * * knowne, z d d A/ c/ | B/ A/ A > G G2 ^F G2 :| w: The strength of sor- row * quite is o- ver- throwne. X:2 T:XX. Tosse not my soule T:Alto. C:John Dowland H: From The Second Booke of Songs or Ayres of 2. 4. and 5. parts: H: with Tableture for the Lute or Orpherian, with the Violl de Gamba. M:C L:1/2 %%MIDI nobarlines %%MIDI ratio 3 1 N:Original clef, C on second line K:G dor ^F2 G G ^F3 F B A D G ^F w: 1.~Tosse not my soule, (O love) twixt hope and feare, w: 2.~Take mee As- sur- ance to thy blis- full holde, D3/2 E// F// G/ F/ E3/2 F// G// A D D D D > C =B, w: Shew * * mee some ground * * where I may firm- ly * stand w: Or * * thou Des- paire * * un- to thy dark- est * Cell, z/B/ A G ^F3/4 E// F/ G/ A B A > A A A A > G ^F w: or sure- ly fall, or sure- * ly _ fall, I care not which a- peare, w: Each hath full rest, each hath * full * rest, the one in joyes en- rolde, B A/ G/ F/ _E/ D > F _E/ D/ _E D > D C2 D > D D > C =B,2 w: So one will * * close mee in a * cer- taine band, in a cer- taine band. w: Th'o- ther, in * * that hee feares no * more, is well, feares no more, is well: |:"Lenvoy:"G2 G G B2 A A/ A/ F G A > c B/ B/ A > G G2 w: When once of ill the ut- ter- most is knowne, the ut- ter- most is knowne, ^F/ A3/4 D// F E/ ^F G D > C =B,2 :| w: The strength of sor- row quite is o- ver- throwne. X:3 T:XX. Tosse not my soule T:Tenor. C:John Dowland H: From The Second Booke of Songs or Ayres of 2. 4. and 5. parts: H: with Tableture for the Lute or Orpherian, with the Violl de Gamba. M:C L:1/2 %%MIDI nobarlines %%MIDI ratio 3 1 N:Original clef, C on third line K:G dor -8va %%MIDI transpose -12 d2 G3/4 A// B/ c/ d2 z d/ c/ B F G > G d/ e/ "(1)"^f/ e// f// g N:Dotted quarter in original. Another possible reading is to leave this a dotted quarter and change the two eighth notes to 16 notes. w: 1.~Tosse not * * my soule, (O * love) twixt hope and feare, twixt hope and * feare, w: 2.~Take mee * * As- sur- ance * to thy blis- full holde, thy blis- full * holde, d c > d e/ f/ g/ G/ A/ c/ B/ G ^F// E// ^F G/ w: Shew mee * * some ground where I may firme-ly * * * stand w: Or thou * * Des- paire un- to thy dark- est * * * Cell, d/ d/ d/ d z/ B/ A2 z/ A/ d/ e/ f > f e d d ^c d > B c/ c/ A/ A/ B3/2 w: or sure- ly fall, or fall, or sure- ly fall, I care not which a- peare, I care not which a- peare, w: Each hath full rest, full rest, each hath full rest, the one in joyes en- rolde, the one in joyes en- rolde, B/ G/ G/ c/ B/ A z/ D/ F E A > G G/ ^F// E// ^F G2 w: So one will * * close mee in a cer- * taine * * * band. w: Th'o- ther, in * * that hee feares no more, * is * * * well: |:"Lenvoy:"=B2 c c B/ c/ d > c A z/ c/ d/ e/ f/ d/ e d > c B B A w: When once of ill, the ut- ter- most, When once of ill, the * ut- ter- most is knowne, d d A/ c/ B3/2 c// B// A/ G/ A/ A/ G2 :| w: The strength of * sor- row * quite is o- ver- throwne. X:4 T:XX. Tosse not my soule T:Basso. C:John Dowland H: From The Second Booke of Songs or Ayres of 2. 4. and 5. parts: H: with Tableture for the Lute or Orpherian, with the Violl de Gamba. M:C L:1/2 %%MIDI nobarlines %%MIDI ratio 3 1 K:Gdor bass %%MIDI transpose -24 %%LY voices \property Voice.Slur \set #'dashed = #1 %%LY voices \property Staff.automaticMelismata = ##f z8 z4 z2 G3/2 A// B// c > B A G ^F G d > d G3/2 w: Shew * * mee some ground where I may firme-ly stand w: Or * * thou Des- paire un- to thy dark- est Cell, g/ ^f g d > e ^f g d > d ^c d a A d w: or sure- ly fall, or sure- ly fall, I care not which a- peare, w: Each hath full rest, each hath full rest, the one in joyes en- rolde, z/ g/ f/ _e/ d/ c/ B > B c > c d c/ B/ A > G ^F G d > d G2 w: So one will * * close, so one will close, will * close mee in a cer- taine band. w: Th'o- ther, in * * that, th'o- ther in that, hee * feares no more, no more is well: |:"Lenvoy:" g2 c/ d/ _e/ c/ g/ a/ b/ c'/ d' > c' a b a2 d w: When once * * of ill * * the ut- ter- most is * knowne, f g > g d d2 d2 d d d G2 :| w: The strength of sor- row quite is o- ver- throwne.