% Copyright (C) 1999  Laura E. Conrad lconrad@world.std.com
% 233 Broadway, Cambridge, MA 02139, USA
%
%    This information is free; you can redistribute it and/or modify it
%    under the terms of the GNU General Public License as published by
%    the Free Software Foundation; either version 2 of the License, or
%    (at your option) any later version.

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%    but WITHOUT ANY WARRANTY; without even the implied warranty of
%    MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
%    GNU General Public License for more details.

%    You should have received a copy of the GNU General Public License
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%    Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
X:1
T:XIIII. Thou Mighty God
S:The first Part.
T:Cantus
C: John Dowland
B: db: -c 4 -b 13
H: From A Pilgrimes Solace.
H: Wherein is contained Musicall 
H: Harmonie of 3. 4. and 5. parts,
H: To be sung and plaid with the Lute and Viols.
H: First published in 1612
L:1/4
M:C
%%MIDI nobarlines
%%MIDI ratio 3 1
%%MIDI gchordoff
% %%LY voices \property Voice.Slur \set #'dashed = #1
%%LY voices \property Staff.automaticMelismata = ##f
N:Original clef, C on first line
K:A min
^G6 A3 A ^G2 |
w: Thou might- ie God,
z2 e4 d4 c2 | B3 B A4 |
w: that right- est e- very wrong,
z4 z2 e3 d/ c/ B ^G |
w: Lis- ten to pa- tience,
z4 z2 z e2 e/ c/ B ^G |
w: Lis- ten to pa- tience,
z2 G3 G G2 G2 F2 |
w: Lis- ten to pa- tience,
F2 E2 D D 
w: pa- tience in a
G3 G/ 
w:  dy- ing
 ^G/ A3 A 
w: a dy- ing 
^G ^F |
w: dy- ing 
 "(3)"G3 z ||
N:(3) Original has a fermata on this note.
w: song.
z2 ^F2 B6 ^F2 | G6 G2 A6 A2 | B3 B B4 |
w: When Job had lost his Child- ren, Lands, and goods,
z2 c4 G2 z4 |
w: Pa- tience, 
z2 d4 A 
w: Pa- tience, 
A  | c > d e4 d2 | c2 B2 A3 A ^G2 z2 
w: as- swa- * * ged his ex- cess- ive paine,
|: z2 E2 ^F3 
w: And when 
F ^G2 A2 |
w: his sor- rowes
B3 d2 c/ B/ 
w: his sor- * rowes, 
c4 "(1)"B3 A
N:Facsimile has a barline here with the dot on the right of it
w: sor- * rowes
A3 G G2 |
w: came as fast 
^F2 G4 
w: as flouds,
F2 E4 |
w: as flouds,
z2 E E2 
w: hope kept 
D A 
w: his hart, 
B | c3
w: his hart, 
B2 A
w: his hart, 
^G "(2)"A > A G/ F/ E 
N:(2)The facsimile has a barline here, with the dot on the right.
w: till com- fort came a- gaine, 
F2 E/ E/ A >A | ^G2
w: till com- fort came a- gaine, 
A2 ^G A2 ^G | HA4 :|
w: came a- * *  gaine.


X:2
T:XIIII. Thou Mighty God
S:The first Part.
T:ALTUS.
C: John Dowland
B: db: -c 4 -b 13
H: From A Pilgrimes Solace.
H: Wherein is contained Musicall 
H: Harmonie of 3. 4. and 5. parts,
H: To be sung and plaid with the Lute and Viols.
H: First published in 1612
L:1/4
M:C
%%MIDI nobarlines
%%MIDI ratio 3 1
%%MIDI gchordoff
% %%LY voices \property Voice.Slur \set #'dashed = #1
%%LY voices \property Staff.automaticMelismata = ##f
N:Original clef, C on third line
K:A min
z4 E8 B, B, 
w: Thou might- ie
C4  D2 E4
w:might- y God,
z E C/ D/ F2 E "(4)"E3 D/ C/ D2 E4
N:(4)Original has a half note here.
w: that * *  right- est e- very * * wrong,
z2 E3 E D3 C/ B,/ C D E > E
w: Lis- ten to * * * * pa- tience,
z z/ G/ F E E > E
w: Lis- ten to pa- tience,
D2 E4 D4 C3 
w: to pa- tience in 
B,/ C/ B, A, 
w:a * dy- ing,
B,2 E2
w:dy- ing,
"(6)"E4- E3   z ||
N:(6) Originally a breve, but all the other parts have a quarter rest here.
w: song.  *
 ^D6 E4 ^D2 B,2
w: When Job had lost,
E3 D E2
w: had lost * 
 D2 C3 D E4 E2 E6
w:his Child- ren, Lands, and goods,
z E2 E 
w: Pa- tience, 
E2 G3 G/
w: as- swa- ged 
 G/ F D2 
w: as- swa- ged 
G2 F/ E/ F > G A2 A2 G3 F E3 E A, 
w: Pa- tience as- swa- * * ged his ex- cess- ive paine,
C2 B,/ A,/ E4
w: ex- cess- ive paine,
|: z4 z4 z2 z E/ F/ G
w: And * when 
F E D
w: his sor- rowes
F2 E A2 G/ F/ G2
w: his sor- * rowes * came,
z D > A, C B, B, C4 B, B, A,4 ^G, B, > B, A,2 
w: and when his sor- rowes, his sor- rowes came as fast, as fast 
^G,/ ^F,/ ^G,2
w: as * flouds,
z z/ A,/ C 
w: hope kept 
D E2
w: his hart, 
F2 E2 E E2 D C2
w: till com- fort came a- gaine, 
z G2 F/ F/ E > D C
w: till com- fort came a- gaine, 
B,/ A,/ B, E E > E HE4 :|
w:com- fort came a- gaine, a- gaine.

X:3
T:XIIII. Thou Mighty God
S:The first Part.
T:TENOR.
C: John Dowland
B: db: -c 4 -b 13
H: From A Pilgrimes Solace.
H: Wherein is contained Musicall 
H: Harmonie of 3. 4. and 5. parts,
H: To be sung and plaid with the Lute and Viols.
H: First published in 1612
L:1/4
M:C
%%MIDI nobarlines
%%MIDI ratio 3 1
%%MIDI gchordoff
%%MIDI transpose -12
% %%LY voices \property Voice.Slur \set #'dashed = #1
%%LY voices \property Staff.automaticMelismata = ##f
N:Original clef, C on fourth line
K:A min -8va
z4 B8 e ^G A3 
w: Thou might- ie God,
A B A B3 A2 ^G/ F/ ^G2 A3
w: that right- est e- very * * * wrong,
G F E F/ 
w:e- * very wrong,
D/ d2 c/ B/ c3 B/ A/ ^G E
w: Lis- * ten to pa- tience, to pa- tience,
z A2 c B2 e > d c B/ A/ ^G E z A G c > c B c3 B/ c/ d c B2 c2 z2 d3
w: Lis- ten to pa- tience, Lis- ten to pa- tience, Lis- ten, lis- ten to pa- * * * tience, pa- tience, in
c/ B/ c3 B/ c/ B A 
w: a * dy- ing, * dy- ing 
 B3 z ||
w: song.
B6 A G ^F2 B3 A G ^F G3 E F G A B c2 c d2 B2 ^G ^G4
w: When Job had lost his * * * Child- ren, his *  * Child- ren Lands, Lands,  and goods,
z ^G A2 G2
w: Pa- * tience, 
c2 _B3 B A2 _B B A3 D E2 c4 B2 c4 d e > e d2 c2 B - || "(7)"B A  > A ^G
N:(7)Original has a repeat here, with a really different "first beginning", so I just unfolded the repeat, and marked the place the other parts repeat to with this double bar.
w: as- swa- ged, Pa- tience as- swa- ged, as- swa- ged his ex- cess- ive paine, pain, ex- ces- * sive paine,
A4 B2 
w: And when 
E A2 A 
w: his sor- rowes
^G2  z A2 G/ F/ E2 E2 ^F4 G2 E2 A3 G d6 c2 B3 
w: came, and when his sor- rowes, his sor- rowes * came  as fast, as fast
B A4
w: as flouds,
G A2 
w: hope kept 
B c > d B 
w: his hart, his hart,
c2 B2 A A G c2
w: till com- fort came a- gaine, 
B c > c d2 c 
w: till com- fort, com- fort
B > B A4 ||
w: came a- gaine.
^G A2 ^G A3 A B2 E A2 A ^G2
w:And when his sor- rows came as fast as flouds
z A2 G/ F/ E2 E2 ^F4 G2 E2 A3 G d6 c2 B3 
w: and when his sor- rowes, his sor- rowes came  as fast, as fast
B A4
w: as flouds,
G A2 
w: hope kept 
B c > d B 
w: his hart, his hart,
c2 B2 A A G c2
w: till com- fort came a- gaine, 
B c > c d2 c 
w: till com- fort, com- fort
B > B HA4 |]
w: came a- gaine.

X:4
T:XIIII. Thou Mighty God
S:The first Part.
T:BASSUS.
C: John Dowland
B: db: -c 4 -b 13
H: From A Pilgrimes Solace.
H: Wherein is contained Musicall 
H: Harmonie of 3. 4. and 5. parts,
H: To be sung and plaid with the Lute and Viols.
H: First published in 1612
L:1/4
M:C
%%MIDI nobarlines
%%MIDI ratio 3 1
%%MIDI gchordoff
%%MIDI transpose -24
%%LY voices \property Voice.Slur \set #'dashed = #1
%%LY voices \property Staff.automaticMelismata = ##f
K:A min bass
z4 e8 e3 e ^f4 
w: Thou might- ie God,
^g2 a > A (e2 e2) ^c4 (d3 d) A
w: that right- est e- very wrong, e- very wrong,
a2 g/ f/ e2 e2 ^f4 ^g2 a2 e3
w: Lis- ten to pa- tience, to * pa- tience,
z/ E/ A > B c/ d/ e/ f/ 
w: Lis- ten * to * * *
g2 e2 (a3 a ) 
w: pa- tience in a
 (g6 g2 ) ( e6 e2)
w:  dy- ing, dy- ing 
"(7)"e3 z ||
N:(7) This was originally a longa.  This was apparently the kind of longa that was something like a fermata, not the kind that indicated that you count 4 whole notes before going on.  
w: song.
B8 B2 B2 e3 d c B c2 F3 G A4 - A ^G E4
w: When Job had lost * * his * Child- ren,  Lands, * and goods,
z e3 A2 c4 G A _B
w: Pa- tience, pa- ti- * ence
G d2 G2 d4 A3 B c2 G2 A a2 g f e f2 e4
w: as- swa- ged, pa- tience as- swa- ged his ex- cess- * ive * paine:
|: e4 - e e d4 
w: And * when *
c2 (B2  B2 )
w: his sor- rowes
A4 z8 G3 g d6 d2 e3 
w: came, sor- rowes came as fast 
e e4
w: as flouds,
f4 c2
w: hope kept 
d2 e3 e A B c 
w: his hart, hope kept his heart
A c3 d 
w: till com- fort 
e6 e2 HA4 :|
w: came a- gaine.