% Copyright (C) 1999  Laura E. Conrad lconrad@world.std.com
% 233 Broadway, Cambridge, MA 02139, USA
%
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X:1
T:IIII. Daphne was not so chaste as she was changing,
T:Cantus
C: John Dowland
O: From The Third and Last Booke of Songs or Aires.
O: Newly composed to sing to the Lute, Orpharion, or viols, 
O: and a dialogue for a base and meane Lute with five voices to sing thereto.
%%MIDI nobarlines
%%MIDI ratio 3 1
M:C
L:1/4
K:F
|:c c/ c/  c c c3 c d e f2 e4 |
w:He that to day tri- umphs with fa- vors gra- ced, 
w:Like to a fruit- full tree it e- ver grow- eth,
z c > c d B3 c | A B/ A/ G2 F3 ::
w:Soon be- gun Love with hate es- * tran- ging:
w:Fals be- fore night with scornes de- * fa- ced:
w:Fan- cie by lookes is still re- * nu- ed:
w:Or the fresh- spring that end- lesse * flow- eth.
f e > e d > d | c3 c f e f d | e 
w:Yet is thy beau- tie fainde, and ev- rie one de- sires, 
w:But if that beau- tie were of one con- sent with love,
A > B c/ A/ | d3 c > B A2 A > G G > F F2 E F :|
w:Still _ _ the false light,  the false light of thy _ trai- terous fires.
w:Love _ _ should live free,  should live free, and true _ plea- sure prove.

X:2
T:IIII. Daphne was not so chaste as she was changing,
T:Bassus
C: John Dowland
O: From The Third and Last Booke of Songs or Aires.
O: Newly composed to sing to the Lute, Orpharion, or viols, 
O: and a dialogue for a base and meane Lute with five voices to sing thereto.
%%MIDI nobarlines
%%MIDI ratio 3 1
M:C
L:1/4
%%MIDI transpose -24
K:F bass
|:f f/ f/ f f f3 f2 e d2 c4 f3 B
_e3 c d B c2 F3 :: F c > d e > f %g
%G 
"(1)"c > d e f d a f b a2 d' c' b2 a2 g2
N:(1) Original has two g quarter notes before this note.  These are not in the lute tablature, and cause the whole section to be the wrong length and sound terrible.
f2 c2 d f c2 F :|