% Copyright (C) 1999  Laura E. Conrad lconrad@world.std.com
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X:1
T:XVII. I must complaine,
T:CANTUS.
C: John Dowland
O: From The Third and Last Booke of Songs or Aires.
O: Newly composed to sing to the Lute, Orpharion, or viols, 
O: and a dialogue for a base and meane Lute with five voices to sing thereto.
%%MIDI nobarlines
%%MIDI ratio 3 1
M:C
L:1/4
K:G dor
z2 G2 B2 c2 d2 z d | f3 d c d/ d G/ B A4 |
w: I must com- plaine, yet do en- joy, en- joy my _ love, 
w: Should I a- griev'd wish she were lesse she were lesse _ faire, 
z B c e d3 c/ B/ | c f e > e d4 |
w: She is too faire, too _ rich in beau- ties parts
w: That were re- pug- nant _ to my owne de- sires,
z8 | g6 f4 _e2 d4 | z2 z d B G B > c | d2
w: Thence is my griefe for na- ture while she strove
w: She is ad- mir'd, new su- ters still re- paire,
z e f > e d A | B c d > d ^c4 |
w: With all her grac- es and de- vin- est artes,
w: That kin- dles day- ly loves for- get- full fires,
z A A A A2 =B c > c B/ B/ A2 |
w: To forme her too too beau- ti- full of hue,
w: Rest jea- lous thoughts, and thus re- solve at last,
M:3/4
|: d > d d c c2 c > c c B B2
w: She had no lei- sure, she had no lei- sure
w: She hath more beau- tie, she hath more beau- tie
M:C
A2 d3 d c4 B2 "?"z2 | A3 A G4 :|
w: no lea- sure left to make her true.
w: more beau- tie then be- comes the chast.

X:2
T:XVII. I must complaine,
T:ALTUS.
C: John Dowland
O: From The Third and Last Booke of Songs or Aires.
O: Newly composed to sing to the Lute, Orpharion, or viols, 
O: and a dialogue for a base and meane Lute with five voices to sing thereto.
%%MIDI nobarlines
%%MIDI ratio 3 1
M:C
L:1/4
K:G min
D4 G3 F/ E/ D3 B2 A/ A/ F G A D2 G ^F4
w: I must com- * plaine, yet do en- joy my love, my  * love
w: Should I a- * griev'd wish she were lesse faire, lesse * faire,
G G3/2 B A/ B3 A/ G/ A > A B G ^F4
w: She is too _ faire, too _ rich in beau- ties parts
w: That were re- pug- * nant _ _ to my owne de- sires,
z2 E4 D3 D C2 G A B3 A/ G/ A G ^F2 G4 ^F2 G
w: Thence is my griefe for _ na-  ture * while she strove, while she strove
w: She is ad- mir'd, new * su- * ters still re- paire, still re- paire,
G D > =E F2 C2 z D F > =E D A2 G A4
w: With all her grac- es and de- vin- * est * artes,
w: That kin- dles day- ly loves for- get- * full * fires,
^F2 F F F2 G A > A G/ G/ F2
w: To forme her too too beau- ti- full of hue,
w: Rest jea- lous thoughts, and thus re- solve at last,
M:3/4
|: B > B B A A2 G > G G G G2
w: She had no lei- sure, she had no lei- sure 
w: She hath more beau- tie, she hath more beau- tie 
M:C
^F4 G G =E2 A2 G3 ^F/ E/ F2 G4 :|
w:no lei- sure left to make her _ _ true.
w: more beau- tie then be- comes the _ _ chast.

X:3
T:XVII. I must complaine,
T:TENOR.
C: John Dowland
O: From The Third and Last Booke of Songs or Aires.
O: Newly composed to sing to the Lute, Orpharion, or viols, 
O: and a dialogue for a base and meane Lute with five voices to sing thereto.
%%MIDI nobarlines
%%MIDI ratio 3 1
M:C
L:1/4
%%MIDI transpose -12
K:G min -8va
B4 G2 c3 =B/ A/ =B d2 d d2 f d3 d4 
w: I must com- * * plaine, yet do en- joy my love,
w: Should I a- * *  griev'd wish she were lesse _ faire,
d2 g3/2 f// e// f2 d z f > e d2 ^c d4
w: She is too * faire, too rich in beau- ties parts
w: That were re- * pug- nant to my owne de- sires,
B4 A3 A G2 e2 d6 c4 B2 A4 G4
w: Thence is my griefe for na- ture while she strove
w: She is ad- mir'd, new su- ters still re- paire,
z d A c B/ A/ F/ G/ A/ F/ f2 e f d e4
w: With all her grac-  * * * * es and de- vin- est artes,
w: That kin- dles day- * * * * ly loves for- get- full fires,
d2 d d d2 d f > f d/ d/ d2
w: To forme her too too beau- ti- full of hue,
w: Rest jea- lous thoughts, and thus re- solve at last,
M:3/4
|:f > f f f f2 e > e e d d2
w: She had no lei- sure, she had no lei- sure
w: She hath more beau- tie, she hath more beau- tie 
M: C
d > c A B > B G z G d6 d2 =B4 :|
w: no _ lei- sure left _ to make her true.
w: more _ beau- tie then _ be- comes the chast.

X:4
T:XVII. I must complaine,
T:BASSUS.
C: John Dowland
O: From The Third and Last Booke of Songs or Aires.
O: Newly composed to sing to the Lute, Orpharion, or viols, 
O: and a dialogue for a base and meane Lute with five voices to sing thereto.
%%MIDI nobarlines
%%MIDI ratio 3 1
M:C
L:1/4
%%MIDI transpose -24
K:G min bass
g4 e2 c2 g2 z g d > c B/ A/ B A ^f g > G d4
w: I must com- plaine, yet do en- joy, en- joy _ my love, my love,
w: Should I a- griev'd wish she were, she were _ lesse faire, lesse _ faire,
g > f e d/ c/ B2 b2 a f g a d4
w: She _ is too _ faire, too rich in beau- ties parts
w: That _ were re- * pug- nant to my owne de- sires,
g4 f4 e4 B4 c4 d4 d2 d d g2
w: Thence is my griefe for na- ture while she strove
w: She is ad- mir'd, new su- ters still re- paire,
z g d > =e f c d2 d2 d2 c B2 A4
w: With all her grac- es and de- vin- * est artes,
w: That kin- dles day- ly loves for- get- * full fires,
d2 d d d2 g f > f g/ g/ d2
w: To forme her too too beau- ti- full of hue,
w: Rest jea- lous thoughts, and thus re- solve at last,
M:3/4
|:B > B B f f2 c > c c g g2
w: She had no lei- sure, she had no lei- sure 
w: She hath more beau- tie, she hath more beau- tie
M:C
L:1/4
d4 =e3 e ^f2 g2 d3 d G4 :|
w: no lei- sure left to make her true.
w: more beau- tie then be- comes the chast.